Tuesday, May 27, 2014

Pronuntiation Exercise, a Simply Red Cover



Hello everyone!
Please listen read and repeat this amazing song.. the lyrics are there on the video...
Simply Red: You Make Me Feel Brand New
oh, and the translation... well that is another post...
enjoy!

http://youtu.be/FZLtY8O5ly0
You Make Me Feel brand New, Simply Red

Thursday, May 8, 2014

Perfect Match: Brazilian Kids Learn English by Video Chatting With Lonely Elderly Americans FCB's touching work for a language school 
It's such a great, simple idea: Young Brazilians want to learn English. Elderly Americans living in retirement homes just want someone to talk to. Why not connect them?
FCB Brazil did just that with its "Speaking Exchange" project for CNA language schools. As seen in the touching case study below, the young Brazilians and older Americans connect via Web chats, and they not only begin to share a language—they develop relationships that enrich both sides culturally and emotionally.
The differences in age and background combine to make the interactions remarkable to watch. And the participants clearly grow close to one another, to the point where they end up speaking from the heart in a more universal language than English.
The pilot project was implemented at a CNA school in Liberdade, Brazil, and the Windsor Park Retirement Community in Chicago. The conversations are recorded and uploaded as private YouTube videos for the teachers to evaluate the students' development.
"The idea is simple and it's a win-win proposition for both the students and the American senior citizens. It's exciting to see their reactions and contentment. It truly benefits both sides," says Joanna Monteiro, executive creative director at FCB Brazil.
Says Max Geraldo, FCB Brazil's executive director: "The beauty of this project is in CNA's belief that we develop better students when we develop better people."


CREDITS
Client: CNA
Project: "Speaking Exchange"
Agency: FCB Brazil
Executive Creative Directors: Joanna Monteiro, Max Geraldo
Digital Creative Director: Pedro Gravena
Creative: Vinícius Fernandes, Bruno Mazzotti, Daniel Alves, Mauricio Bina
Creative Technologist: Márcio Bueno
Digital Production: Brave.ag
Project: Lia D'Amico
Technology: Gerson Lupatini, Caio Mello
Account: Mauro Silveira, Alec Cocchiaro, Pedro Führer, Thiago Figueiredo
Planners: Raphael Barreto, Lia Bertoni, Pedro Schneider
Media: Alexandre Ugadin, Tiago Santos, Fábio Tachibana, Sandra Carvalho, Fábio Menezes
RTV: Vivi Guedes, Ana Flávia de Lucca, André Fonseca
Production Company: Hungry Man
Director: Ricardo Mehedff
Co-direction: Fábio Pinheiro
Photographers: Fernando Young (Brazil), Grant Weiss (Chicago)
Production Company: Hungry Man
Account Production: Mariana Marinho
Editor: Rodrigo Resende
Managing Partner: Alex Mehedff
Executive Production: Alex Mehedff, Rodrigo Castelo
Postproduction: Hungry Man; Psycho
Postproduction Supervisor: Rodrigo Oliveira
Sound Producer: Timbre
Client Supervisors: Luciana Fortuna, Nicadan Galvão, Diego Marmo, Ricardo Martins

Wednesday, May 7, 2014

Under The Volcano
By Anthony Bourdain

Americans love Mexican food. We consume nachos, tacos, burritos, tortas, enchiladas, tamales and anything resembling Mexican in enormous quantities. We love Mexican beverages, happily knocking back huge amounts of tequila, mezcal and Mexican beer every year. We love Mexican people—as we sure employ a lot of them. Despite our ridiculously hypocritical attitudes towards immigration, we demand that Mexicans cook a large percentage of the food we eat, grow the ingredients we need to make that food, clean our houses, mow our lawns, wash our dishes, look after our children. As any chef will tell you, our entire service economy—the restaurant business as we know it—in most American cities, would collapse overnight without Mexican workers. Some, of course, like to claim that Mexicans are “stealing American jobs”. But in two decades as a chef and employer, I never had ONE American kid walk in my door and apply for a dishwashing job, a porter’s position—or even a job as prep cook. Mexicans do much of the work in this country that Americans, provably, simply won’t do. 
We love Mexican drugs. Maybe not you personally, but “we”, as a nation, certainly consume titanic amounts of them—and go to extraordinary lengths and expense to acquire them. We love Mexican music, Mexican beaches, Mexican architecture, interior design, Mexican films.
So, why don’t we love Mexico?
We throw up our hands and shrug at what happens and what is happening just across the border. Maybe we are embarrassed. Mexico, after all, has always been there for us, to service our darkest needs and desires. Whether it’s dress up like fools and get pass-out drunk and sun burned on Spring break in Cancun, throw pesos at strippers in Tijuana, or get toasted on Mexican drugs, we are seldom on our best behavior in Mexico. They have seen many of us at our worst. They know our darkest desires.
In the service of our appetites, we spend billions and billions of dollars each year on Mexican drugs—while at the same time spending billions and billions more trying to prevent those drugs from reaching us. The effect on our society is everywhere to be seen. Whether it’s kids nodding off and overdosing in small town Vermont, gang violence in LA, burned out neighborhoods in Detroit— it’s there to see. What we don’t see, however, haven’t really noticed, and don’t seem to much care about, is the 80,000 dead—mostly innocent victims in Mexico, just in the past few years. 80,000 dead. 80,000 families who’ve been touched directly by the so-called “War On Drugs”.   
Mexico. Our brother from another mother. A country, with whom, like it or not, we are inexorably, deeply involved, in a close but often uncomfortable embrace. Look at it. It’s beautiful. It has some of the most ravishingly beautiful beaches on earth. Mountains, desert, jungle. Beautiful colonial architecture, a tragic, elegant, violent, ludicrous, heroic, lamentable, heartbreaking history. Mexican wine country rivals Tuscany for gorgeousness. Its archeological sites—the remnants of great empires, unrivaled anywhere. And as much as we think we know and love it,  we have barely scratched the surface of what Mexican food really is. It is NOT melted cheese over a tortilla chip. It is not simple, or easy. It is not simply ‘bro food’ halftime. It is in fact, old— older even than the great cuisines of Europe and often deeply complex, refined, subtle, and sophisticated. A true mole sauce, for instance, can take DAYS to make, a balance of freshly (always fresh) ingredients, painstakingly prepared by hand. It could be, should be, one of the most exciting cuisines on the planet. If we paid attention. The old school cooks of Oaxaca make some of the more difficult to make and nuanced sauces in gastronomy. And some of the new generation, many of whom have trained in the kitchens of America and Europe have returned home to take Mexican food to new and thrilling new heights.








It’s a country I feel particularly attached to and grateful for. In nearly 30 years of cooking professionally, just about every time I walked into a new kitchen, it was a Mexican guy who looked after me, had my back, showed me what was what, was there—and on the case—when the cooks more like me, with backgrounds like mine—ran away to go skiing or surfing—or simply “flaked.” I have been fortunate to track where some of those cooks come from, to go back home with them. To small towns populated mostly by women—where in the evening, families gather at the town’s phone kiosk, waiting for calls from their husbands, sons and brothers who have left to work in our kitchens in the cities of the North. I have been fortunate enough to see where that affinity for cooking comes from, to experience moms and grandmothers preparing many delicious things, with pride and real love, passing that food made by hand, passed from their hands to mine. 
In years of making television in Mexico, it’s one of the places we, as a crew, are happiest when the day’s work is over. We’ll gather round a street stall and order soft tacos with fresh, bright, delicious tasting salsas—drink cold Mexican beer, sip smoky mezcals, listen with moist eyes to sentimental songs from street musicians. We will look around and remark, for the hundredth time, what an extraordinary place this is.  
The received wisdom is that Mexico will never change. That is hopelessly corrupt, from top to bottom. That it is useless to resist—to care, to hope for a happier future. But there are heroes out there who refuse to go along. On the episode of PARTS UNKNOWN, of Anthony Bourdains' Show. We meet a few of them. People who are standing up against overwhelming odds, demanding accountability, demanding change—at great, even horrifying personal cost. 
This show is for them. 
Anthony Bourdain.



The Lost Village In New York City

The Lost Village In New York City
by DAISY ALIOTO
Smack in the center of New York City — in the confines of Central Park — there are ghostly vestiges of a 19th century neighborhood that once was vibrant and thriving but now is largely forgotten: Seneca Village.
It is considered by historians to be one of Manhattan's earliest communities of African-American property owners.
This much is known: Between 1825 and the mid-1850s, it was alive. Seneca Village was home to a variety of Americans. Most were of African descent, but there were also Irish and German and maybe some Native Americans, as well. The 1855 state census noted that 264 people lived there. The area had a school, three churches and some cemeteries.
A couple of years later, everyone in the village were told to leave and the neighborhood buildings were razed to clear the way for Central Park. In recent times, historians have begun exploring the village's past.
But for all the present-day records-probing and sites-excavating, there are still many unknowns surrounding Seneca Village.
One of the greatest mysteries: Researchers have not been able to find a single living descendant of anyone who was a resident of Seneca Village.
The Village Today
You can stroll around the area that was once Seneca Village by entering Central Park through Mariners' Gate at 85th Street and Central Park West. The grounds are flanked by playgrounds and, at this time of year, dotted with tulip beds.
The village lay between 82nd and 87th streets, just east of Central Park West.
To trace a path that runs up to Central Park's expansive Great Lawn is to tread among the pines where the frame house and barn of village resident George G. Root once stood — in his time a stone's throw from two more houses, known to belong to Epiphany Davis. Andrew Williams, a free black shoe shiner, purchased three lots of land near there on Sept. 27, 1825.
The area has been examined closely by researchers. Anthropology professors Diana Wall of The City College of New York and Nan Rothschild of Columbia University, and adjunct instructor Cynthia Copeland of New York University, are founding members of the Seneca Village Project, which spearheads the study of the village in an educational context and its commemoration. The project's website offers an interactive map and photos from the site.
Cynthia explains how a number of events in the 1990s colluded to bring the history of Seneca Village to light. In 1991, a 17th and 18th century site of thousands of African burials was uncovered in Lower Manhattan. Now the African Burial Ground National Monument, the discovery at the time spurred people to think about early African presence in New York City's history.
She also credits Roy Rosenzweig and Elizabeth Blackmar, authors of a 1992 publication, The Park and the People: A History of Central Park, for including Seneca Village in their section on pre-park history. The authors used material they found in the New York Historical Society repository, where Cynthia was a curator. In 1997, the historical society mounted an exhibition, "Before Central Park: The Life and Death of Seneca Village," which was called a "piercingly emotional show" by The New York Times.
In 2004, the historians began digging to see what they could find. They continued excavations when funding and time allowed. One focal point was the home of William Godfrey Wilson — a church sexton in the village — complete with vestigial signs of domestic life: pots and pans, a tea kettle and, particularly poignant in the imagining of the past, a child's shoe.
Looking For Descendants
Meanwhile, as the historians were hunting for inanimate representations of the lost village, the Seneca Village Project also began looking for living, breathing people who might have genealogical ties to those long-ago villagers. At the 1997 New York Historical Society exhibit, the names of Seneca Village residents were listed and visitors were asked if they or anyone they knew were related to those original denizens. The anthropologists made a similar query at a series of lectures about Seneca Village given around New York City in the early 2000s. They continue to make appeals whenever possible.
So far, not a single soul has come forward with true knowledge of any inhabitants.
Part of the problem, says Nan Rothschild, is not knowing where residents moved after the village was erased.
Diana Wall wonders if the contentious clearing of the area has shrouded its history in sadness and left a hole in family narratives: "Could it be," she asks, "that because people were evicted from Seneca Village, it was an unhappy part of their past that they chose to forget?"
Both researchers express a wish to dedicate more time to locating the residents, but with courses to teach and other projects, that's difficult. The excavation itself has served as a classroom for over 100 students, Nan estimates, and locating living descendants of the village would be meaningful to all of them.
"It would be nice to package it all up and tie it in a bow. But that's not history ... history is messy," says Cynthia. She remains hopeful about finding descendants of the villagers. "I believe they are out there."
PSA: Anyone who has heard family stories or has other reasons to believe that he or she is a descendant of residents of Seneca Village should contact Cynthia Copeland (ccopelandster@gmail.com), Nan Rothschild (roth@columbia.edu) or Diana Wall (diana.diz.wall@gmail.com).
Daisy Alioto, formerly of NPR, is a news assistant at Law360.

Thursday, May 1, 2014

Hot, Sour, Sweet And Mobile: Loco Border Street Food

Hot, Sour, Sweet And Mobile: Loco Border Street Food